March 4 – March 14, 2027 | Plant City, FL

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HEADLINE ENTERTAINMENT

Each year, the Florida Strawberry Festival® hosts world-famous headline entertainment from all over the globe. We work hard to provide our guests with a fresh festival experience each and every year by securing award-winning performers fit for guests of all ages. Admission to the venue is NOT included with the purchase of a concert ticket and is required for venue entry. We look forward to seeing you at this year’s event and encourage you to purchase your tickets soon!

All Headline Entertainment concert tickets go ON SALE December 10, 2026
at 8A.M. EST. DO NOT ORDER ADA SEATING ONLINE. PLEASE CALL 813.719.6680.

For assistance with ADA seating or tour group sales,
please call 813.719.6680 or click here. 

Headline Entertainment

performing on the 

Florida Strawberry Festival Stadium Seating Chart

Please note: Pricing varies by artist and by section — Pit, Floor, and GT Grandstands each priced separately. Sections 7-17 are elevated seating. 

2027 Headline Entertainment Lineup

or call (813) 754-1996

Thursday, March 4, 2027 · 10:30  a.m.

Jimmy Sturr & His Orchestra

FREE w/ paid gate admission

At the time that rock was reaching its crescendo, and in the era when Country was dazzling the nation, a strange phenomenon was taking place. In essence, this phenomenon was the rising popularity of JIMMY STURR as the hottest musical attraction in the polka music field. ​The reigning king of the field is a good looking, smiling charmer with brown hair, blues eyes and charismatic rays emanating from his presence. Sturr is the fellow in front of the orchestra.

​And what an Orchestra it is! JIMMY STURR AND HIS ORCHESTA has over 106 recordings; the excellence of these recordings has been recognized and rewarded throughout the very competitive music industry. The fact that JIMMY STURR AND HIS ORCHESTRA is on the Top Ten list of the All-time Grammy Awards, has won eighteen Grammy Awards and has received more consecutive Grammy nominations that anyone in the history of musical awards has made the music industry sit up and take notice. Broadcast Music Inc. (BMI) has awarded JIMMY STURR & HIS ORCHESTRA its most valued award, the Commendation of Excellence. The only one ever awarded in the polka music field.​The band constantly attracts crowds of screaming, adoring fans wherever their travels take them. Their tremendous popularity has resulted in not only numerous Grammy Awards, but also being voted The #1 POLKA MUSIC BAND IN THE COUNTRY for the past ten years.​Many great things have happened to JIMMY STURR AND HIS ORCHESTRA, but none has been more exciting than just completing their Fourth recording with country superstar WILLIE NELSON. In addition they have recorded with other artists such as THE OAK RIDGE BOYS, CHARLIE DANIELS, BOOTS RANDOLPH, MEL TILLIS, BRENDA LEE, plus banjo virtuoso, BELA FLECK, and folk legend ARLO GUTHRIE.​One of the major events in Jimmy’s career came when the Orchestra was asked to appear on The Grand Ole Opry. They were not only the only Polka Music Band to all appear, but the only band to appear with brass.​A question on Who Wants To Be A Millionaire? television show hosted by Regis Philbin, was Who is Americas polka Music king? The contestant won $250,000 by correctly answering Jimmy Sturr. Sturrs music has been heard on the TV show JEOPARDY and articles have appeared in print throughout the nation including a front page story on The Wall Street Journal and full length story in US World and News Report.​The incredible popularity and success of JIMMY STURR AND HIS ORCHESTRA has caught the attention of many networks, including appearances on CNN, ABC, NBC, FOX NEWS and a fifteen-minute segment on CNN Headline News that aired worldwide.​The band has made several appearances on Saturday Night Live. The quality and appearance of JIMMY STURR AND HIS ORCHESTRA makes them sought after for television commercials such as Budweiser, Pontiac, and Mrs. T’s Pierogies, who signed Jimmy to be their National spokesperson.Jimmy can now be seen on his national television show on the RFDTV network on Direct TV Channel 345, Dish Network Channel 231 on Friday’s at 7PM EST and on Family Net Sunday’s at 5:30PM EST. Jimmy Sturr syndicated radio show will now be heard on Sirius XM rural/radio Channel 80 on Saturday at 6PM EST.​Due to the great demand for live appearances by The JIMMY STURR ORCHESTRA they have an extensive road schedule of 165 dates per year. They crisscross the country and make several international trips yearly. While on the road they travel in Jimmys forty-five foot customized tour bus. The Bands travels have taken them to some of the most prestigious venues in the world, including seven Sold Out concerts at Carnegie Hall and four Sold Out concerts at Lincoln Center in New York City and a sold out concert at The Palace of Culture in Warsaw, Poland where the band received seven standing ovations.​The Band appears annually at many of the top casinos in the country including Mohegan Sun Casino, Uncasville, CT; The Tropicana and Taj Mahal in Atlantic City, NJ; Patowatomi Casino, Milwaukee, WI; Soaring Eagle, Mt. Pleasant, MI; The Presidents Casino in Biloxi, MS; Mountaineer Race Track and Gaming Resort, Chester, WV and Sam’s Town Hotel and Casino in Las Vegas where Jimmy was the first polka music band to be booked by a major casino. The sellout crowds at these popular events keep coming back for more wherever they see the band scheduled.​Today, JIMMY STURR lives in the house he grew up in, his office is across the street from the high school he attended in the upstate village of Florida, New York with a population of 1,800. His hometown recently honored Jimmy by placing a Star of Fame in the walkway on Main Street. They also display HOMETOWN OF POLKA KING JIMMY STURR signs at each entrance to the village. Five gold albums, each representing five million dollars in sales, are displayed on his office walls where he runs his various businesses which include United Polka Artists, Starr Record Company, Jimmy Sturr Travel Agency, a publishing company and his syndicated radio show.​A full scholarship gave Jimmy the opportunity to attend and graduate from Valley Forge Military Academy. Among his many accolades, and something Jimmy is very proud of, is his selection by The Valley Forge Military Academy as Man of the Year, he was honored with a full-dress parade in front of the Corp of Cadets at VFMA.​No one has done more for the polka field than this young Irishman from the little village of Florida, NY. Seeing is believing. When you see JIMMY STURR AND HIS ORCHESTRA in person, you know why they draw the huge crowds, have been voted #1 in the country and considered THE BEST IN POLKA MUSIC

or call (813) 754-1996

Thursday, March 4, 2027 · 3:30  p.m.

The Oak Ridge Boys

Pit, $50
Floor, $40
GT Grandstands, $40

Theirs is one of the most distinctive and recognizable sounds in the music industry. The four-part harmonies and upbeat songs of The Oak Ridge Boys have spawned dozens of Country hits and two Pop smashes, earned them Grammy, Dove, CMA, and ACM awards and garnered a host of other industry and fan accolades. Every time they step before an audience, the Oaks bring four decades of charted singles, and 50 years of tradition, to a stage show widely acknowledged as among the most exciting anywhere. And each remains as enthusiastic about the process as they have ever been.

“When I go on stage, I get the same feeling I had the first time I sang with The Oak Ridge Boys,” says lead singer Duane Allen. “This is the only job I’ve ever wanted to have.”

“Like everyone else in the group,” adds bass singer extraordinaire, Richard Sterban, “I was a fan of the Oaks before I became a member. I’m still a fan of the group today. Being in The Oak Ridge Boys is the fulfillment of a lifelong dream.”

The two, along with tenor Joe Bonsall and baritone William Lee Golden, comprise one of Country’s truly legendary acts. Their string of hits includes the Country-Pop chartbuster Elvira, as well as Bobbie Sue, Dream On, Thank God For Kids, American Made, I Guess It Never Hurts To Hurt Sometimes, Fancy Free, Gonna Take A Lot Of River, and many others. In 2009, they covered a White Stripes song, receiving accolades from Rock reviewers. In 2011, they rerecorded a thirtieth anniversary version of Elvira for a Cracker Barrel Old Country Store project.

The group has scored 12 gold, three platinum, and one double platinum album—plus one double platinum single—and had more than a dozen national Number One singles and over 30 Top Ten hits.

or call (813) 754-1996

Thursday, March 4, 2027 · 7:30 p.m.

STYX

Pit, $80
Floor, $60
GT Grandstands, $55

Creating and recording new music is often considered the lifeblood of any
band — an ethos AOR torchbearers Styx continue to embody with the release of Circling From
Above, the 18th studio album in their formidable catalog. Spanning 13 tracks, the album
navigates the complexities of the human experience through the intersecting lenses of
technology and nature.
The album, the band’s third in eight years, delivers a 41-minute, end-to-end listening experience
that is both thought-provoking and exhilarating. A masterclass in storytelling, it blends signature
Styx hallmarks with bold steps forward — building on the creative momentum of recent releases
The Mission (2017) and Crash of the Crown (2021).
Driven by the kinetic energy of lead single “Build and Destroy,” the album is immediately
available to fans at StyxWorld.com, the Universal Music Webstore and all tour stops of Styx’s
“Brotherhood of Rock” tour, which kicks off tonight in Greenville, S.C. The album’s official public
release date is set for July 18.
Styx has remained a touring juggernaut for the past 25 years, but according to guitarist/vocalist
Tommy Shaw, the band’s current streak of artistic resurgence in the studio is due to multiple
factors tethered to a deep sense of harmony.
“There’s just a lot of positive flow right now,” says Shaw. “There’s a lot of people playing great,
and there’s a lot of love, respect and excitement about each other’s talents. Bands can go
lifetimes and never have this kind of rapport and chemistry.”
Circling From Above features contributions from all seven members of the band, including
founding guitarist/vocalist James “JY” Young (affectionately known as “The Godfather of Styx”),
Shaw, original bassist Chuck Panozzo, drummer Todd Sucherman, keyboardist/vocalist
Lawrence Gowan, and newest members Will Evankovich (guitars and vocals) and Terry Gowan
(bass).
The album was produced by Evankovich, who also helmed the band’s previous two records
before becoming an official member. All 13 songs were penned in various combinations by the
band’s songwriting triumvirate of Shaw, Evankovich and Lawrence Gowan. Referencing the
trio’s creative spark, Lawrence Gowan says it’s not a simple case of majority rules but rather a
true collaborative endeavor.
“I’ve noticed over the last three records, there’s a real effort to make sure everyone’s got a smile
on their face at the end of it,” he says. “There’s creative friction, but everybody gets a go around
the table and we all get a swing at the tree. And that’s really, really good.”
“It’s a strange three-way democracy for sure,” Evankovich says. “We all know that the institution
of Styx is the most important thing.”
Circling From Above is a dynamic collection that reflects the full emotional and stylistic range of
the Styx canon. It’s muscular yet introspective, theatrical in moments and layered in sincerity at
others — balancing progressive leanings with deeper, thought-provoking messages.
“When you start writing an album, there’s generally something that piques your imagination, and
all of a sudden, you’re a storyteller starting with the seed of a story,” says Shaw. “A good song
is like a straight road — it’ll get you to the next place.”
Midway through writing the album, a loose theme began to orbit the band’s creative process —
a gravitational pull, if you will, guiding them down the straight road Shaw describes. In a
moment of studio serendipity, talk turned to an app that tracks abandoned satellites, those silent
relics of once-lofty ambition. From that spark, the opening tracks — including the title cut and
“Build and Destroy” — took shape, tracing the tension between human ingenuity and the
dreams we sometimes discard in its pursuit.
“When they were shot up into space, these satellites were somebody’s dream and ambition,”
says Shaw of the once-cutting-edge technology now floating aimlessly through the atmosphere.
“They served their purpose and they were cast aside. It’s a wasteland up there, but they were
once created with love. We’re all humans, and who’s to say our love project is better than
someone else’s?”
Look closely at the album cover art and you will see this thematic overture take flight.
Thousands of starlings — chosen specifically for their supreme ability to work in concert
together with their flight patterns — in the shape of one bird, soaring over a dilapidated satellite
dish.
“They’re prevailing and we’re failing,” notes Evankovich of the cover. “We’re not like the rest of
the creatures that work in stewardship together, like the birds and the bees and all the other
things. We do things and then create waste for ourselves that ends up harming us.”
Fans will discover no shortage of standout tracks on Circling From Above, a handful of which
could end up as singles or be prime candidates for inclusion in an expanded live set once the
“Brotherhood of Rock” tour — during which Styx will be playing “The Grand Illusion” album in full
— concludes in late August.
“Forgive,” the likely second single, is a perfect example of the current writing collective, featuring
an emotional core, tradeoff lead vocals by Shaw and Gowan, and a perfectly crafted emotive
guitar solo by Evankovich.
“That intro with an acoustic guitar and Tommy singing is a signature Styx thing, whether it’s
‘Crystal Ball,’ ‘Radio Silence,’ or any of the others he does,” Evankovich says. “That’s just
classic. Give me an acoustic guitar and Tommy Shaw’s voice and I’m sold!”
“Michigan” is a song Shaw and Evankovich wrote back in 2011 about the internet’s power for
both good and bad. The song exudes a frenetic tension and was written in the style of a James
Bond movie theme. “It’s Clear” is another radio-friendly tune with brooding verses, powerful,
melodic choruses and a bewitching breakdown segment in the middle. “It’s Clear” also has the
distinction of being just the second Styx song to feature three separate lead vocal
performances, with Gowan, Shaw and Evankovich all taking a primary turn at the mic.
“That’s a fun song,” Shaw says. “It’s like a maze.”
Young makes a mark with his trademark baritone lead vocal on “King of Love,” a song written
specifically for him, and the last one recorded for the album. In addition to his booming vocal, he
plays a blistering guitar solo, even using the original G5 Strat he played on Styx’s debut album
in 1972.
“When JY gets going, he’s hard to stop,” says Evankovich. “The Beck/Hendrix/Clapton love
child exudes Chicago blues. It’s always a joy to see the improvisation take shape in the studio
with him.”
Diversity runs rampant on the second half of the album as Styx pays homage to its own roots
while also giving pointed tips of the cap to some of the band’s earlier influences. The rollicking
“Everybody Raise a Glass,” for example, with its exuberant vocal and Brian May-esque
harmony guitar solo, sounds like it would feel right at home on Side II of Queen’s A Night at the
Opera. And rocker “We Lost the Wheel Again,” buoyed by Terry Gowan’s turbocharged bass
performance, Sucherman’s other-worldly (dare we say Moon-like) drumming, and Evankovich’s
lead vocal could easily be a leftover track from Who’s Next by The Who.
“We’re not afraid to show our influences,” says Lawrence Gowan. “I like the fact that we’re such
products of that entire era of classic rock that we don’t try to necessarily mask in any way what
we’re inspired by from that era.”
“Blue-Eyed Raven” is a gypsy-flavored tale, bedazzled by Shaw’s Spanish guitar and mandolin
stylings and a “Fiddler on the Roof” meets “Devil Went Down to Georgia” manic fiddle solo on
the back end by Nashville session stalwart Aubrey Haynie. Adding to the song’s mystery is that
it was inspired by a true story.
“That song has a long arc,” Evankovich says, citing previous Styx forays outside the norm on
songs like “Boat on the River” and “Our Wonderful Lives,” which feature Shaw playing mandolin
and banjo, respectively.
“The Things That You Said” hooks the listener from the get-go, with Shaw’s melodic vocal over
an infectious keyboard riff immediately launching out of the temporary tranquility of “Ease Your
Mind.” There’s some amazing vocal performances, both lead and background, and the closing
section of the song is especially lit. No one else can stop the maniac, indeed.
“Only You Can Decide” follows in the grand tradition of choosing your closing song wisely.
Pensive and poignant, it encapsulates the album’s theme of examining our personal choices
and recognizing how they may fit into the larger scheme of humanity in general.
“I always heard that as the closing song,” says Shaw, noting that he wrote it in the wake of
multiple school shootings. “It’s a broad message. I didn’t want to make it about gun issues but I
was just trying to suggest that you don’t need to get a gun and do something bad with it.”
Just as “Circling From Above” unfolds like large doors opening to a new world, “Only You Can
Decide” slowly closes them again, leaving the listener to ponder their individual role in making
the world a better place.
“The bigger theme,” Evankovich says, “is that Styx is all about hope. We’re always trying to
send a message that it’s possible, if we actually work together, to make things better.”
Message received.
Now, if you’ll forgive me, I’m going back for yet another listen.

or call (813) 754-1996

Friday, March 5, 2027 · 3:30 p.m.

Tommy James
& The Shondells

Pit, $55
Floor, $40
GT Grandstands, $35 

CRYSTAL BLUE PERSUASION, CRIMSON & CLOVER, MONY MONY, I
THINK WE’RE ALONE NOW, SWEET CHERRY WINE, HANKY PANKY,
MIRAGE, THREE TIMES IN LOVE and DRAGGIN’ THE LINE are just a
few of the many hits….23 gold singles, 9 platinum albums and over
100 million records sold worldwide….32 BILLBOARD HOT 100 CHART
HITS…BMI lauded Tommy for his success with the presentation of a
FIVE MILLION-AIR AWARD for his songs being played more than 21
million times on air.
Numerous artists around the world have and continue to cover
Tommy’s hits….BILLY IDOL, PRINCE, JOAN JETT, BILLY JOE
ARMSTRONG, CARLOS SANTANA, BRUCE SPRINGSTEEN, REM,
DOLLY PARTON, KELLY CLARKSON, TOM JONES, CHER and even
THE BOSTON POPS…..check complete list on tommyjames.com.
Tommy’s music is featured in over 65 films, 53 tv shows and
numerous commercials…..total list on tommyjames.com.
The prestigious NEW JERSEY HALL OF FAME inducted Tommy with
the award presented to him by his friend Stevie Van Zandt. Tommy’s
life-size hologram can be viewed at the New Jersey Hall of Fame
exhibit at Newark Airport Terminal C in New Jersey. Tommy’s image
is also displayed along with other New Jersey celebrities at the Molly
Pitcher Rest Area and the Atlantic City Rest Area off The Garden State
Parkway in New Jersey. Tommy has been a resident of New Jersey
for over 35 years.
Tommy also received the PITTSBURGH LEGEND AWARD, THE
JUKEBOX ARTIST OF THE YEAR AWARD and was recently inducted
into THE LAS VEGAS ENTERTAINERS HALL OF FAME.
Tommy’s critically acclaimed autobiography ME, THE MOB AND THE
MUSIC , listed on Rolling Stone’s TOP 25 MUSIC MEMOIRS is now in
pre-production for a film with producer Barbara DeFina whose credits
include GOODFELLAS, CASINO, CAPE FEAR, AGE OF INNOCENCE,
SILENCE and THE GRIFTERS…she also produced Michael Jackson’s
BAD video. ….the screenplay by Matthew Stone whose credits include
INTOLERABLE CRUELTY and BIG TROUBLE…..
Tommy is now enjoying more success with his own show on
SIRIUS/XM radio – GETTIN’ TOGETHER WITH TOMMY JAMES –
channel 73 – 60s GOLD- Sundays 5-8pm est.
After 10 years a new album was released last year entitled ALIVE with
two tracks hitting the BILLBOARD AC CHART. …..and now, a new
compilation album ROCK PARTY just released.
Now entering his 51st year in the music business, he continues to
tour the USA and hopefully Canada in the near future.
Follow him on facebook, instagram and twitter and visit his website
TOMMYJAMES.COM for all other pertinent information.

or call (813) 754-1996

Friday, March 5, 2027 · 7:30 p.m.

Josiah Queen

Pit, $85
Floor, $70
GT Grandstands, $60

Josiah Queen has become one of the defining artists of a new generation of Christian music,
combining heartfelt songwriting with one of the fastest-growing audiences in the genre. With
more than 2.1 billion global streams, his music continues to connect with millions around the
world. Following the breakout success of “The Prodigal” (200M+ streams), Josiah’s single
“Dusty Bibles” marked a defining moment in his career, becoming his first Billboard Hot 100 hit
and earning RIAA Gold certification in under six months. The song also landed among the Top 3
Christian/Gospel Streaming Songs in the U.S., charted on Spotify’s Viral 50 in more than 15
countries, and reached the Shazam Top 200 across multiple international markets. His self-titled debut album debuted at No. 1 on Billboard’s Top Christian Albums Chart, marking one of the biggest breakthrough moments by a new artist in Christian music. He continued that momentum with the No. 1 Christian radio single “Can’t Steal My Joy, ” before releasing his sophomore album, Mt. Zion, which also debuted at No. 1 on Billboard’s Top Christian Albums Chart. Most recently, “Demons” became another landmark release, earning Josiah his second No. 1 Christian radio single, surpassing 100 million streams, and peaking as the most-streamed Christian frontline song of the year. As his audience continues to grow, Josiah has sold more than 260,000 tickets across his headline tours while reaching more than 3 million followers across Instagram, TikTok, YouTube,
and Facebook. Known for songs that are both deeply personal and biblically grounded, he
writes with a heart to encourage believers while inviting new listeners into the hope of the
Gospel. His live concerts combine heartfelt worship, honest storytelling, and moments of
ministry that resonate with audiences of every generation. Josiah and his wife, Trinity, travel and
minister together and are based in Tampa, Florida.

or call (813) 754-1996

Saturday, March 6, 2027 · 3:30 p.m.

Shaboozey

Pit, $85
Floor, $70
GT Grandstands, $60

GRAMMY® winning singer-songwriter Shaboozey is building his own world, carving his lane in the alternative country and hip-hop space. Born to parents of Nigerian descent and raised in the small town of Woodbridge, VA, the multi-faceted artist grew up on an eclectic mix of music encompassing classic hip-hop and R&B, country and blues icons like Johnny Cash, Kenny Rogers, Garth Brooks, and Lead Belly, to master lyricists, such as Bob Dylan and Leonard Cohen. A true crossover artist, he began his epic rise to stardom with two standout features on Beyoncé’s COWBOY CARTER—the only artist with multiple appearances on the album. His latest body of work, the critically acclaimed masterpiece Where I’ve Been, Isn’t Where I’m Going, debuted in the top five of the Billboard 200 and was praised by The New York Times for “bring[ing] hip-hop grit to country” and by Rolling Stone for “honoring country tradition and moving it forward.” The album’s breakthrough anthem, the RIAA-Diamond certified “A Bar Song (Tipsy),” broke the record for the longest-leading Hot 100 No. 1 while also topping Billboard’s Hot Country Songs, Country Airplay Chart, and Mediabase/Country Aircheck charts. The single has accumulated over a billion streams across DSPs and made history, making Shaboozey the first Black male artist to simultaneously top Billboard’s Hot Country Songs and Hot 100. In conjunction with the release, Shaboozey received major critical recognition and a wide array of nominations at the GRAMMY Awards, Academy of Country Music Awards, Country Music Association Awards, iHeartRadio Music Awards, and MTV Video Music Awards, along with wins at the Billboard Music Awards and People’s Choice Country Awards, and recognition from ASCAP as their 2025 Country Music Songwriter/Artist of the Year. An 8X GRAMMY® nominee, Shaboozey won his first Grammy Award in 2026 for “Best Country/Duo Group Performance” for his collaboration with Jelly Roll, “Amen.” Continuing to raise the bar with each release, his follow-up single “Good News” earned Shaboozey his second #1 on Billboard’s Country Airplay Chart. Staying true to his Virginian roots, Shaboozey strives to continue the region’s long-standing tradition of prolific creativity, this time by expanding the scope of contemporary hip-hop and introducing modern Americana to a global audience. His 2024 debut headline Where I’ve Been, Isn’t Where I’m Going tour sold out in every market and he played arenas nationwide as part of Jelly Roll’s Beautifully Broken tour this past winter. His highly successful 2025 The Great American Roadshow tour wrapped this past fall. He’s currently in the studio working on new music, gearing up for an even more momentous 2026.

or call (813) 754-1996

Saturday, March 6, 2027 · 7:30 p.m.

Max McNown

Pit, $85
Floor, $65
GT Grandstands, $60

Nashville-based artist Max McNown’s rise has been meteoric, going from teaching himself
guitar in just a few months to busking across Southern California to auditioning for, and
ultimately turning down, a major TV talent show, all while building a massive following on TikTok,
where he now has 2.6 million followers. Since blazing his own path as a singer-songwriter, the
Oregon native’s breakout hit “A Lot More Free” has gone RIAA Certified Platinum in the U.S.,
amassed over 360M worldwide streams to date, and made its Billboard Hot 100 debut at #97,
which launched him to the top of Billboard’s Emerging Artists chart. Featured in his 2023 debut
EP and his 2024 full-length Wandering album, it also peaked in the Top 10 at Hot AC Radio,
Top 20 at Top 40, and Top 30 at Triple A, plus landed at #1 on TikTok’s Breakthrough USA chart,
#2 on iTunes Country chart, hit the Spotify Viral 50 Global Playlist, and even got a nod from
Kelly Clarkson when she performed the song on her Kellyoke series on The Kelly Clarkson
Show. The rising star’s follow-up track, “Better Me For You (Brown Eyes),” which is the lead single
from his 2025 sophomore album Night Diving (The Cost of Growing Up), also went double
Platinum in the U.S, and landed McNown his highest charting position on the Billboard Hot 100
(at #26). The song, which amassed over 455M worldwide streams to date, spent 36 weeks on
the Hot 100 chart. It also landed him his first entry onto the Spotify US Top 200 Chart (#120
peak), #6 at Country Radio Top 30 at Top 40, #8 at Hot AC, Top 20 AC, plus #1 on iTunes
Country Songs Chart, and Top 5 on iTunes All Genres Chart. A consistent chart-climber across
genres, McNown proves to be a true, multi-format artist.
Following his TV performances on The TODAY Show (watch here) and The Kelly Clarkson
Show (watch here), and spotlight features as Billboard’s Chartbreaker and an Artist to Watch in
2025 by Amazon Music, Holler, and other publications, McNown continues to receive high
praise as one of the “brightest newly minted stars to come out of Nashville” (Grammy.com) and
is poised to have a breakout year in 2026.

or call (813) 754-1996

Sunday, March 7, 2027 · 6:30 p.m.

Hudson Westbrook

with McCoy Moore

Pit, $85
Floor, $70
GT Grandstands, $65

Hudson Westbrook “is on the cusp of bona fide country music stardom” (Rolling Stone). A
son of Stephenville, Texas, Westbrook was baptized by Red Dirt and raised on George Strait,
Turnpike Troubadours, Parker McCollum, Koe Wetzel, and Tracy Lawrence. After a 2024
splash debut with first-ever release, “Take It Slow,” Westbrook strung together a series of
grassroots hits while still enrolled at Texas Tech University, including Texas radio chart-
topper, “Two Way Drive,” and chart-topping debut single to country radio, “House Again.”
Revitalizing the organic country he was raised on while refusing to be held down by his
roots, Westbrook’s “traditional country sounds and timeless songwriting” (Billboard) have
become his calling card, fully realized on his Top 10, 17-track debut album, Texas Forever,
and expanded upon on follow up EP, Exclusive, out now. Taking the spirit of Texas country music far beyond state lines, Westbrook is headlining sold-out tours nationwide, alongside opening gigs with George Strait, Parker McCollum, Morgan Wallen, Bailey Zimmerman, Midland, Ian Munsick, and many more. Amassing over 1.5 billion global streams in just under two years of releasing original music, Westbrook is a 2026 ACM New Male Artist of the Year nominee and a member of the 2026 Opry NextStage Class. He was named a Billboard Country Rookie of the Month, a 2025 Artist to Watch by Spotify, Country Now, Holler, The Country Wire, and a SiriusXM all-genre Five for 2025.
Country Central predicts: “Westbrook’s rise shows potential to lead a new generation of
artists in the Texas country realm.”

 

With a style rooted in the charm of his Central-Florida home, Sony Music Nashville’s McCoy
Moore makes country music so radiant and relaxed it should come with SPF 50. Through
beaming baritone vocals and a warm sonic glow, the singer-songwriter embodies the land of
perpetual summer, complete with its easy-does-it code of humble sincerity. On his debut album,
Sunshine State, the Lakeland native shows Florida is much more than a vacation destination –
it’s the place that made him the artist he is. A lifelong country fan schooled on late ‘90s and early
2000s radio, Kenny Chesney (his first concert), Tim McGraw, and Keith Whitley were the
soundtrack to travel baseball and day trips to the beach, before a chance encounter with Luke
Combs in 2017 helped propel Moore to Nashville at 19 years old where he quickly found his
creative footing. Now on Sunshine State, and the expanded deluxe version that includes his debut
radio single “Forget We Ever Met,” modern muscle and a throwback country spirit tap the
nostalgic heat of long-gone summers, while Moore’s vocal carries the buzz of an incoming
thunderhead. Heavy bass lines and steel guitars hang thick like Spanish Moss off an old Live
Oak (much like the one on the album’s cover, which was shot in his grandparents’ garage).
Wrapping nostalgic real-life stories in a rich, resonate country baritone, Moore has accumulated
more than 32 million global streams while touring with HARDY, Kip Moore, Chase Rice and,
later this year, Ashley Cooke. This spring, Moore made his Grand Ole Opry debut following a
surprise birthday invite, a bucket list moment for the rising entertainer. But throughout it all,
Moore never veers far from the Sunshine State.

or call (813) 754-1996

Monday, March 8, 2027 · 3:30 p.m.

Tanya Tucker

Pit, $55
Floor, $40
GT Grandstands, $35

Edgy. Classic. Country. A modern-day legend and a two-time 2020 GRAMMY® winner, Tanya Tucker continues to inspire generations of artists with her unmistakable voice and fearless spirit. In 2023, she was inducted into the Country Music Hall of Fame, cementing her place among the greatest icons in country music history.

Born in Seminole, Texas, Tanya burst onto the scene at just 13 years old with her first hit, the now-classic “Delta Dawn” in 1972. Since then, she has amassed 23 Top 40 albums and an incredible 56 Top 40 singles, including 10 No. 1 hits on the Billboard country charts. Her timeless songs include “Soon,” “Two Sparrows in a Hurricane,” “It’s a Little Too Late,” “Trouble,” “Texas (When I Die),” “If It Don’t Come Easy,” “Strong Enough to Bend”, and many more.

Tanya’s career is decorated with numerous accolades, including two CMAs, two ACMs, and three CMT Awards. In 2020, she won two GRAMMY® Awards for Best Country Album (While I’m Livin’) and Best Country Song (Bring My Flowers Now). That same year, Fantasy Records released Tanya Tucker – Live From The Troubadour, capturing her historic, standing-room-only performance at the legendary venue.

Her remarkable career resurgence was the subject of the 2022 Sony Pictures Classics documentary, The Return of Tanya Tucker, Featuring Brandi Carlile, which The New York Times praised for showcasing her enduring talent and emotional depth. The following year, she made her acting debut in the Paramount original film, A Nashville Country Christmas, starring alongside Academy Award® winner Keith Carradine.

Beyond music, Tanya has left her mark in the world of spirits with Tanya Tucker’s Cosa Salvaje Tequila, now available in the U.S. states and Canada, with expansion growing daily. To order, visit CosaSalvajeTequila.com.

For more on Tanya Tucker, visit TanyaTucker.com and follow her journey as she continues to inspire fans worldwide.

or call (813) 754-1996

Monday, March 8, 2027 · 7:30 p.m.

Maverick City

Pit, $75
Floor, $45
GT Grandstands, $40 

Maverick City Worship is a dynamic collective of worship leaders and artists carrying forward
the heart and sound of the award-winning Maverick City Music family. The Maverick City
movement began in Atlanta, Georgia, in 2018 through a series of songwriting camps designed
to create space for diverse artists, worship leaders, and songwriters whose voices had often
existed on the margins of traditional Gospel and contemporary Christian music.
What began in intimate writing rooms quickly grew into a global worship movement. Since its
first release in 2019, Maverick City has helped reshape the sound and culture of modern
worship through its distinctive blend of Gospel, contemporary worship, soul, and spontaneous
expression. Songs such as “Promises,” “Jireh,” “Man of Your Word,” and “Wait on You”
have reached churches and communities around the world, while collaborations across genres
and generations have remained central to the Maverick City story. Maverick City Worship represents the continued evolution of that vision—a new generation of voices united by a passion for authentic worship, community, creativity, and creating space for people to encounter God. Through powerful songs, spontaneous moments, and a genuine approach to worship, the collective seeks to move beyond performance and create room for transformation. More than a group of singers, Maverick City Worship carries the heart that has defined Maverick City from the beginning: making room for different voices, different stories, and different expressions—all centered around Jesus.

or call (813) 754-1996

Tuesday, March 9, 2027 · 3:30 p.m.

Roots & Boots
Sammy Kershaw, Collin Raye & Aaron Tippin

Pit, $55
Floor, $40
GT Grandstands, $35

Sammy Kershaw

Iconic entertainer, Sammy Kershaw, has amassed three platinum and six gold albums that have scanned and streamed in excess of 5 million records and nearly 100 million combined songs sold. Often referred to as the “heir apparent” to legendary ‘voice’ George Jones, the GRAMMY nominated performer helped shape and make the ‘90s a shining decade for country music. His multi-platinum albums were propelled into the record books by hits such as “She Don’t Know She’s Beautiful,” “Queen of My Doublewide Trailer”, “I Can’t Reach Her Anymore,” “National Working Woman’s Holiday,” “Love Of My Life,” “Cadillac Style,” “Don’t Go Near The Water,” “Haunted Heart”, “Vidalia” and many other milestones. Growing up in Kaplan, Louisiana, Kershaw was enthralled with the masters at an early age – names like Conway Twitty, Mel Street, and George Jones. In fact, as a teenager, Kershaw had developed such areputation for his vocals – even then – that he was often called upon to open for those acts, and others like them. Jones was so impressed with Sammy that he frequently invited him to perform on his shows whenever he was playing in the region.
From the time that he released his debut single for Mercury Records, “Cadillac Style,” critics and fans all made the comparison to George. Rather than run from them, Kershaw embraced them. After all, that stone Country sound was what Sammy Kershaw was all about – and that’s what he was going to give his fans! “Cadillac Style” made it up the Billboard charts and, from there (to quote Jones), the race was on! Follow-ups such as “Don’t Go Near the Water” and “I Can’t Reach Her Anymore” established him as one of the finest traditional artists of his time, while records like “Yard Sale” showed that haunting Jones influence was very much a part of everything he is about. In 1993, Sammy Kershaw topped the singles chart with “She Don’t Know She’s Beautiful,” which has become one of the most-played records at Country Radio over the past three decades. Albums such as Don’t Go Near the Water and Haunted Heart were both certified as million-sellers by the RIAA, and only continued to add to his stature. The hits kept coming on the airwaves, as well. He added to his resume such classics as “I Can’t Reach Her Anymore,” “Meant to Be,” his cover of The Amazing Rhythm Aces’ “Third Rate Romance,” and 1998’s “Love of My Life,” which cemented his reputation as a balladeer. Kershaw’s chain of major hit records continues to sell-out shows and can be found touring on the road – both on his own as well as part of his successful Roots & Boots Tour with Collin Raye and Aaron Tippin. The three continue to bring their signature sounds to the fans year-after-year all over North America. In addition to performing to sell-out audiences, Sammy Kershaw continues to record and release new music with three albums currently in the works, along with putting the finishing touches on his long-awaited  autobiography – which promises to be as juicy as a bowl of the gumbo he loves to prepare in his Louisiana home! The past has been a great, long-winding road of highs and lows for the legendary Sammy Kershaw, but to quote one of his past singles, the goal isn’t to rest on those accomplishments, but to be “Better Than I Used to Be.”

 

Collin Raye

Born Floyd Elliot Wray on August 22, 1960 in De Queens, Arkansas, country
artist Collin Raye was one of the true hit makers of the 1990’s. Collin still continues to crank out soulful, heartfelt material with the honesty and richness that is signature to his vocals alone. With 24 top ten records, 16 #1 hits, and having been a 10 time male vocalist of the year nominee (5 CMA and 5 ACM), this truly electrifying performer of his era remains one of the great voices of our time.
Collin Raye is nothing if not passionate. His soulful delivery has set country standards in such searing ballads as “Love, Me,” “In This Life,” “Not That Different” and “If I were you”. Always an energizing showman, he has also blazed through such vivid rockers as “My Kind of Girl,” “That’s My Story,” “I Can Still Feel You” and “I Want You Bad.” Collin shot to fame with “Love, Me” in 1991. Listeners were so moved by this golden and pure voice that this song set the cornerstone for a career built on meaningful and emotional songs that have often been used for weddings, anniversaries, memorial services and funerals. When “Little Rock”, an anthem for those struggling with addition recovery, hit the chart in 1994, its video led to over 100,000 phone calls to Alcoholics Anonymous from folks seeking help in their addictions. “Not That Different” was a song that pleaded for tolerance. “In This Life” became a wedding favorite, and “I Think About You” won awards for its song and video which exposed the exploitation of women and children. Collin Raye has consistently used his stardom to advance social causes. Among the organizations he has supported are Boys Town, First Steps, Al-Anon, Special Olympics, Country Cares About AIDS, Catholic Relief Services, Parade of Pennies, Vanderbilt Children’s Hospital, The Tennessee Task Force Against Domestic Violence, The Emily Harrison Foundation, Childhelp USA, Silent Witness National Initiative, Easter Seals, The Life and Hope Network, and Make a Difference Day. It came as no surprise when in 2001 at the Country Radio Seminar, Clint Black presented Collin Raye with the organization’s Humanitarian of the Year award in recognition of Collin’s issue-oriented music and his tireless charity work. The man who has topped the charts with such great songs as “On the Verge,” “One Boy, One Girl,” “What the Heart Wants,” “Every Second”, “That Was a River”, “Anyone Else”, and “If I were you” continues to touch hearts across the globe in both traditional and new ways . Collin Raye’s new outreach is very personal. In 2010, after the loss of his precious 10 year old grandchild, Haley, Collin and his daughter Britanny (Haley’s mother) established The Haley Bell Blessed Chair Foundation to honor her memory. The Foundation supports and assists families of the cognitively and physically disabled with a primary emphasis on supplying wheelchairs and other necessary medical equipment to elevate the quality of life for the disabled family member in need. Collin wrote a very special song for Haley called, “She’s with me”, which carries a powerful message for families of special needs children. Additionally, in 2011 Collin released his first inspirational album, His Love Remains, which quickly shot to #1 on Amazon for inspirational and religious music. Collin continues to perform his traditional country music across America and abroad and has added Christian and Catholic concerts to his tour schedule as
well. His autobiography, That’s My Story: The Undefeated Life of Collin Raye, is set for release in early 2014. He currently resides in Nashville, TN with his daughter, Britanny and granddaughter, Mattie.

 

Aaron Tippin


With a wide smile and engaging Southern drawl, Aaron Tippin proclaims he’s the “luckiest hillbilly that has ever lived,” and there’s no arguing it. After all he’s been struck by lightning twice and lived to tell, piloted planes with engine failure and even somewhat more miraculously, he’s survived more than three decades in the music business and is still going strong.
Along the way, he’s earned six gold albums and one platinum. He’s released more than 30 singles, including such hits as “You’ve Got to Stand for Something,” “My Blue Angel,” “I Wouldn’t Have it Any Other Way,” “Kiss This,” “Workin’ Man’s Ph. D,” “There Ain’t Nothing Wrong with the Radio” and “Where the Stars and Stripes and the Eagle Fly,” which was not only a country hit, but top 20 on Billboard’s all genre Hot 100 chart. Of course, luck often plays a role in achieving success in the entertainment industry, but the real driving forces behind Tippin’s achievements are a dedicated work ethic and undeniable talent.
“This took me by surprise actually,” Tippin says of his music career. “It was the furthest thing from my mind. I wanted to be an airplane pilot.”
He achieved that dream early on by becoming a commercial pilot and then began expanding his horizons by pursuing his other love—music. Born in Pensacola, FL and raised on a farm in Travelers Rest, SC, Tippin had a passion for aviation and became a pilot with single and multi-engine ratings. “But when the energy crunch hit and the airlines started furloughing senior captains I said, ‘This ain’t going to happen,’” he recalls. “I didn’t want to be a corporate pilot for the rest of my life, so I did what I liked next best and that was pickin’ and grinnin.’”
He took a job with an excavation company driving a bulldozer and dump truck by day and playing in clubs at night with his band. The enthusiastic hometown reception buoyed his musical aspirations, and he made the move to Nashville.
His first success in Music City came as a songwriter. The late Charlie Monk, known as the “Mayor of Music Row,” took Tippin under his wing. “He was my first champion in Nashville,” Tippin says. “I was working for him when he got the job at Acuff-Rose Publishing and he calls me and says, ‘Hey, do you want to come over here and write?’ I was lucky to get that chance.”
Tippin found himself writing songs for the legendary publishing company that had been home to Hank William Sr. His songs were recorded by gospel greats the Kingsmen, David Ball, Mark Collie and the legendary Charley Pride, but soon people began asking about the unique voice singing his demos and Tippin was offered a deal with RCA Records. His first single, “You’ve Got to Stand for Something,” became his first top ten hit in 1991.
Over the years, he’s built a successful career as an artist who sings what he believes. Tippin’s music has resonated with fans for decades because his love for God, country and family has always been front and center. He sings songs that celebrate the life of the common, hard-working man because that’s who Tippin is at his core.
He and his wife Thea raised their family on their Tennessee farm while continuing to nurture his thriving music career and launching other successful ventures. He’s continued as a pilot and for several years ran an aviation school. A shrewd entrepreneur, Aaron also parlayed his love for wine into a partnership with Stonehaus Winery and is hands on in developing his own wines. His 2021 launch of Aaron Tippin’s Blue Angel Blueberry Wine has been a tremendous success and they are hard at work on a new Riesling.
Though he’s accomplished so much, Tippin refuses to rest on his considerable laurels. He continues to maintain a busy touring schedule and is working on a new book. “I call myself the luckiest hillbilly that has ever lived and I think it’s true,” he smiles. “I’ve even had my music in space. I performed in Saudi Arabia on the Bob Hope Christmas Show in 1990. There was a young Marine Captain in the audience and when the Gulf War was over, he moved on to NASA and he became a shuttle pilot and mission commander. So, one day I started getting calls from friends telling me that my song, ‘Big Boy Toys,’ had woke up the space shuttle.”
A month or so later, Tippin received a photo of an astronaut in space and in front of him, floating in midair, is an Aaron Tippin album. Commander Rick Sturckow wrote Aaron a letter explaining he had seen him perform when he was serving during Operation Desert Storm. “I was really impressed with you and your music. I was a fan. I chose your album to go with me in space,” Sturckow wrote.
Then he surprised Tippin by sending the album to him. “Rick listened to it up there and then he brought it back to earth and it’s hanging in my living room now,” he says with emotion in his voice. “I’ve had so many great things happen. I played the 4th of July at the Mall facing our nation’s Capitol. I’ve had some pretty cool things happen in my life and it’s all because of what happened with the songs. I still can’t believe all that came true. I’ve been hit by lightning twice. I’ve had two engine failures in airplanes and lived through them. I’m the luckiest hillbilly that’s ever lived.”
Tippin could easily retire and relax on his farm, but that ain’t his style. With the resurgence in the popularity of ‘90s country music, Tippin has never been in more demand. So, what keeps him out there performing after all his years in the business? “It’s the people I’ve met around the country that I’ve made friends,” he says. “I look so forward to going back out there and seeing them again and hanging out. I adore that. It’s fun for me and as long as it is fun, I’ll keep doing it. That’s what keeps me going is the fact that they still come after 33 years now. I’m so happy they keep coming.”

or call (813) 754-1996

Tuesday, March 9, 2027 · 7:30 p.m.

Travis Tritt

Pit, $75
Floor, $45
GT Grandstands, $40

More than thirty-five years after Travis Tritt launched his music career, the Southern rock-influenced artist continues to sell-out shows and stay true and relevant to country music fans across the globe. Continuously performing shows and withholding a heavy appearance schedule, Tritt is proving to be unstoppable.

The highly abbreviated Tritt timeline started when the young Marietta, Georgia native incorporated his lifelong influences of Southern rock, blues and gospel into his country during a honky-tonk apprenticeship that led him to Warner Bros. in 1989. Over the course of a decade, Travis released seven studio albums and a greatest hits package for the label. His 1990 debut Country Club and its succession of hits put him in the vanguard of the genre’s early ’90s boom, dubbing him as one of “The Class of ‘89,” which included country music superstars Garth Brooks, Clint Black and Alan Jackson; all whom dominated the charts in the early ‘90s.

“Country Club,” “Help Me Hold On,” “I’m Gonna Be Somebody,” and “Drift Off to Dream” peaked at numbers two and three on the Hot Country Singles & Tracks charts; all which led for Tritt to win Top New Male Artist award from Billboard and the CMA Horizon Award (now known as the Best New Artist Award). Additionally, in 1991, the Recording Industry Association of America (RIAA) marked Tritt’s debut album Country Club as certified platinum, then in 1992, the world-famous Grand Ole Opry extended an invitation for Tritt to become a member.

Two years after his debut, Travis’ sophomore album, It’s All About to Change, was released. Literally speaking, this album changed everything when the album shipped three million copies and all four of its singles reached the top five on the country music charts. Along with his first album, this release became triple-platinum certified by the RIAA.

At the same time, his conspicuous lack of a cowboy hat and musical assertiveness set him apart. The next series of albums, seven of which are certified platinum or higher, scored him more hit singles and led him to amass more than 30 million in career album sales, two Grammys, three CMA Awards and a devoted fan base that has filled venues coast-to-coast.

He’s been a force in sports appearances, having performed at the 1996 Olympics, two Super Bowls, a World Series Game, the opening of the Georgia Dome, the final Braves game at Atlanta-Fulton Country Stadium and, in 2013, the NCAA men’s basketball championship.

In 2012, Tritt formed his own label, Post Oak Recordings and shortly after released his album, The Calm After… In 2016, Tritt released a new project, a special live 2-disc CD and DVD, titled A Man and His Guitar – Live From The Franklin Theatre. The release shot and recorded at the historic Franklin Theatre in Franklin, Tenn., spotlights Tritt’s distinctively soulful voice and his exceptional guitar prowess in an intimate theater setting.

In late 2014 and throughout 2015, Tritt’s compilation album, Very Best of Travis Tritt, that was originally released in 2007, saw a sales resurgence as it topped the SoundScan Top 200 Catalog Country Albums chart for over 60 consecutive weeks with 15 weeks spent at No. 1 and 35+ weeks notched in a Top 5 position, while earning RIAA certified gold status by selling over 500,000 copies. The 20-track album features some of Tritt’s biggest hits, including “It’s A Great Day To Be Alive,” “Here’s A Quarter,” and “Anymore.”

Travis Tritt made a significant appearance in 2018 on the music series “Real Country,” alongside the renowned Shania Twain and Jake Owen, illuminating the screens with their collective expertise as they handpicked emerging solo artists, duos, and groups, showcasing the diverse traditions and themes of country genres on the USA Network.

Fast forward to 2022, Tritt unveiled Set In Stone, a much-anticipated, original full-length studio album. Released through Big Noise Music Group and produced by the distinguished Dave Cobb, this album is a canvas of Tritt’s musical essence, featuring 11 new tracks, eight of which he co-wrote, reinforcing his unwavering commitment to the genuine spirit of country music.

In 2023, Tritt unveiled a project that was especially close to his heart, his long-awaited debut Gospel album, “Country Chapel.” Produced by Dave Cobb at Georgia May Studio, this poignant album is a nostalgic voyage into the depths of his childhood roots, beckoning listeners to experience the warmth and raw emotion of Tritt’s formative years within the confines of the Country Chapel. “Country Chapel” pays homage to his Southern upbringing, blending traditional church harmonies with his signature, award-winning vocal style to deliver genuine renditions and powerful testimonies of redemption.

Travis Tritt continues to build on a career defined by relentless touring and an unmistakable connection with his fans. His packed tour schedule consistently brings his music to sold-out crowds across the country, reinforcing his status as one of country music’s most enduring performers. Riding a sustained wave of momentum, Tritt remains deeply committed to delivering the authentic, Southern rock-infused country sound that has resonated across generations. With a storied legacy and a passion for the stage that shows no signs of fading, Travis Tritt continues to move forward… in full throttle.

For more information on Travis Tritt, visit his website TravisTritt.com and follow him on and Facebook and Twitter.

or call (813) 754-1996

Wednesday, March 10, 2027 · 3:30 p.m.

Micky Dolenz
60 Years of The Monkees

Pit, $45
Floor, $40
GT Grandstands, $40

Micky Dolenz is an actor, singer, director, producer, writer, radio DJ, inventor, and all-around performer extraordinaire, and stands tall as a paragon of taste and accomplishment in the rough-and-tumble world of show business and entertainment.

Micky is best known as a vocalist and drummer of the 1960’s pop legends The Monkees. The Monkees not only achieved great success as a TV show, but also as recording artists; selling in excess of 65 million units, and achieving worldwide success. Their first four albums – THE MONKEES (1966); MORE OF THE MONKEES (1967); HEADQUARTERS (1967); and PISCES, AQUARIUS, CAPRICORN AND JONES, LTD. (1967) all reached the number-one position on the charts and launched three number-one singles: “Last Train to Clarksville,” “I’m a Believer” (both with lead vocals by Micky), and “Daydream Believer.”

The group’s first five albums also went platinum. Micky has also released several critically acclaimed solo albums: KING FOR A DAY; REMEMBER; and A LITTLE BIT BROADWAY; A LITTLE BIT ROCK AND ROLL.

The Monkees also re-grouped for a 50th anniversary album in 2016 entitled GOOD TIMES on Rhino.

Micky toured in 2019 as part of the It Was Fifty Years Ago Today; a celebration of The Beatles WHITE ALBUM with Christopher Cross; Todd Rundgren; and Joey Molland of Badfinger.
In March of 2019, he released the award-winning DOLENZ SINGS NESMITH on England’s 7a Records.

Micky has also toured extensively on his own and earlier this year fronted Micky Dolenz Celebrates The Monkess which was a sell-out at every stop.

He also recently performed at the annual James Burton event, this time in England, which also featured Ron Wood; Brian May and Van Morrison.

On November 3, Micky releases the EP Dolenz Sings R.E.M. (7a Records) featuring 4 songs from R.E.M.

Later that year, he releases the book I’m Told I Had A Good Times: The Micky Dolenz Archives-VOLUME 1.

In December of 2024, Micky released his first live album in seven years: MICKY DOLENZ: LIVE AT THE TROUBADOUR. The album was recorded at the famed L.A. club in April and debuted Dolenz’s current stage show, MICKY DOLENZ: SONGS AND STORIES.

or call (813) 754-1996

Wednesday, March 10, 2027 · 7:30 p.m.

38 Special

Pit, $65
Floor, $50
GT Grandstands, $45

50 years together. 20 million albums sold. More than 15 albums of guitar-driven southern rock, stacked high with hits like “Hold On Loosely,” “Caught Up In You,” “If I’d Been The One,” “Back Where You Belong,” and “Second Chance.” 38 Special is proof that there’s strength in numbers.

Formed in 1974, the band toured tirelessly from the start, sharpening the explosive live show that’s been 38 Special’s calling card for a half-century. Along the way, the Florida natives fine-tuned their sound too: a blend of muscle and melody, filled with the arena-rock pop hooks that would soon become staples of FM radio. Years passed… trends changed… some band members retired from the rigors… but 38 Special remained, hitting the road year after year, flying the flag for an enduring form of classic rock & roll that never dies.

As 38 Special enters its sixth decade together, the music continues with Milestone. It’s the band’s first studio album in more than 20 years, and it showcases a group of road warriors with plenty of miles left in the tank. Fueled up on snarling guitars, anthemic melodies, and the desire to break new ground, they update their sound for the 2020s, bridging the gap between past and present without forgetting their rock & roll roots.

“After all this time, we wanted to create a more modern 38 Special album,” says frontman and co-founder Don Barnes. “This is a fresh, updated approach to the sound we’ve been making together for so long. Why not make a big statement after all these years? When you’re reintroducing yourself to the world, ‘good enough’ doesn’t work anymore. If you’re gonna do it, you might as well go big.”

Go big, indeed. Milestone opens with the larger-than-life roar of Barnes’ voice, delivering a line that might as well be the band’s mission statement — “Don’t wanna ever slow down!” — over amplified guitars and a booming backbeat. The song itself is called “So Much So Right,” and it’s a kinetic, riff-heavy anthem that splits the difference between Robert Palmer’s aggressive stomp and modern rock’s heavy swagger.

“We’ve had people say, ‘Oh, those guys are still around?” Barnes says. “We still hit 100 cities every year and we bring a high-energy party to the people every time we’re onstage. We don’t phone it in. We don’t slack up, we stack up. That song is for anyone who thinks we’re too old to keep doing this. It’ll completely change their perspective.”

The highlights don’t stop there. On the jangling lead single “All I Haven’t Said,” 38 Special nods to the melody-driven bands that came before them. “That’s my throwback to the ’60s, inspired by bands like the Searchers,” says Barnes. “I’ve always loved that jangling guitar sound and what’s old is new again. We just inject more power guitars to it. About a year ago, I was playing some chords while my wife Christine was in the kitchen. She has a musical ear and out of the clear blue she said, ‘That sounds like it should be called ‘All I Haven’t Said.’ I was floored! The most perfect title matching what the chords were conveying. She helped craft some lyrics and a storyline and has a songwriting credit on it.”

On “Slightly Controversial,” Barnes splits vocal duties with Train frontman Pat Monahan, a longtime fan of the band, with his own cover of “Hold On Loosely” (recording alongside Joe Bonamassa to boot). Says Barnes, “I had reached out to Pat’s manager after hearing his rendition of ‘Hold On Loosely’ and invited him to sing with me on this real banger of a song. He was so gracious to accept, and we became quick friends. He brought a great vibe to the song and we plan on co-writing in the future. Funny how things work out like that.”

Randy Bachman, co-founder of The Guess Who and Bachman Turner Overdrive, shows up as a co-writer with Barnes on the socially-conscious track “Long Long Train.” 38’s drummer Gary Moffatt and lead guitarist Jerry Riggs help drive “The Main Thing” forward at highway speed. These songs were all recorded during brief breaks in 38 Special’s touring schedule — an itinerary that’s kept Barnes, Riggs, Moffatt, keyboardist Bobby Capps and bassist Barry Dunaway busy for decades — and you can hear the energy of those live shows bleed into the studio recordings themselves.

To revisit — and reimagine — the tightly-constructed sound that turned 38 Special into platinum-selling artists, the band turned to an old friend. Decades earlier, they’d struck up a partnership with Jim Peterik, founder of the band Survivor. Sitting around his kitchen table in 1980, Barnes and Peterik co-wrote “Hold On Loosely” with 38 Special’s original guitarist Jeff Carlisi. One year later the same trio wrote “Caught Up In You.” Those songs became defining songs not only of a decade, but of an entire genre, and Milestone gave the band a chance to work with Peterik once again.

“Jim is such a brilliant musician,” Barnes says. “He wrote ‘Eye Of The Tiger,’ ‘Heavy Metal’ for Sammy Hagar, and all of the Survivor hits. He literally wrote the book on songwriting; it’s called Songwriting For Dummies. He’s been my co-writer brother for decades and is a lifelong friend.”

In April 2024, while finishing a handful of new songs in celebration of 38 Special’s fiftieth anniversary, Barnes found himself riding an unexpected wave of inspiration. “The ideas just kept coming,” he remembers. “I started flying up to Jim’s house in Chicago, bringing him these half-finished songs that I’d sketched out. We’d finish them together, record a rough version on a micro-cassette and then I’d fly home to Atlanta for a few days. Then I’d go back on the road with the band. Trying to spread all of that work into a touring schedule of 100 cities was a daunting task. It’s been 50 years, though, and we’re still vibrant. We had a whole new stage set designed during that time as well. We continue to play sold-out shows everywhere and we still leave them breathless. It was tough going but given that this was a big anniversary for the band, I knew that I needed to meet the moment.”

Between their cross-country tour dates, 38 Special began recording Milestone at the Atlanta-area studio of Will Turpin, longtime bassist for Collective Soul. They worked quickly, all five musicians playing together in real time, capturing each song in a series of live-in-the-studio performances. Overdubs took place at Peterik’s home studio — “I’d be singing final harmonies in the vocal booth with a car and driver outside waiting to take me to the airport so I could fly to another show,” Barnes remembers — and mixing was completed by Johnny K, the hard-rock legend behind albums by Disturbed, Plain White T’s, and Megadeth.

Milestone’s on-the-fly recording schedule was a new experience for 38 Special. “The process used to be you’d go into the recording studio, punch the clock, record songs for 12 hours, play some ping pong, then go back to the hotel around the corner,” says Barnes. “You’d do that every day for a month or two, then the album would be finished and you’d go home.”

“This was a whole different experience because I had to plan it out in phases — probably 10 different phases of recording while roadwork continued all over the country. But as the process began to move along, we realized that we could really make a statement with this album and it grew more exciting, so we wanted to put in the work.”

Barnes has been putting in the work ever since he formed 38 Special in Jacksonville, Florida, joining forces with co-founder Donnie Van Zant — the younger brother of Lynyrd Skynyrd frontman Ronnie Van Zant — as well a talented vocalist who left 38 special’s lineup in 2013 due to inner-ear nerve damage. The group had dedicated themselves to the long, steady climb from small clubs to big arenas. “We had rehearsals every night, working for four hours after our day jobs were done,” he recalls. “We sacrificed everything: birthdays, anniversaries, holidays. We felt like we had to be five steps ahead of ourselves. We were fiercely committed.” Years later that dedicated spirit is alive and well on Milestone, but Barnes isn’t looking to repeat himself. Instead, he’s turning a page.

“I’ll always respect and revere the original guys in this band,” he says. “We went through hell together. We suffered, starved and ultimately triumphed. We risked it all, rolled the dice with nothing to fall back on and ended up rocking arenas around the world. Through the bleakest of times, all we had was each other. We were our own support group. Let me tell you, those guys are the finest people I could’ve gone through my youth with and we’re still friends. In my mind, they are legends and kings. We love each other and stay in touch. And we all can’t believe that it’s been 50 years!”

“Now, I have to say…some of the ‘new’ members have been here over 30 years and they are my brothers, too. We’ve built our mission out of sheer stamina and fortitude — and after all this time together, we’ve learned that if we’re gonna do something, we should fiercely go at it and do it the best we possibly can. That’s why we worked so hard on Milestone. It’s paying respect to that history. Every song is diverse. We have in-your-face rockers and introspective moments. We go back and forth, over and over. It’s a great ride.”

Can you blame 38 Special for taking a quick look behind them, reflecting upon 50 years of hits, highways, and battle-tested brotherhood? If anyone’s earned the right to reflect, it’s them. With Milestone, though, Barnes and company keep their eyes glued to the horizon ahead of them. The ride isn’t over.

or call (813) 754-1996

Thursday, March 11, 2027 · 3:30 p.m.

Grand Funk Railroad

Pit, $50
Floor, $35
GT Grandstands, $30

Born in the industrial heart of Flint, Michigan, Grand Funk Railroad formed in 1969 and quickly cemented their place in rock history as one of America’s most powerful live acts. Now, more than five decades later, this legendary band is still comin’ to your town to help you party it down – bringing the same explosive energy and crowd-shaking sound to 2026 tour dates across the nation for their Still Shinin’ On Tour.

Affectionately known as The American Band, Grand Funk Railroad continues to pack venues across the country, connecting generations of fans with their unmistakable mix of hard-driving rock, soulful vocals, and anthemic hits. Founding members Don Brewer (vocals and drums, and writer/singer of the iconic “We’re an American Band”) and Mel Schacher (bass, the thunder behind the groove) are joined by a lineup of all-star talent: the ever-versatile Tim Cashion (affectionately known as “Dr. Tim”) on lead vocals and keys, who – in the past – has hit the road with Robert Palmer and Bob Seger; and guitar slinger and veteran of Bob Seger’s Silver Bullet Band Mark Chatfield.

Their influence can still be heard in the DNA of rock icons like Van Halen, Bon Jovi, Foreigner, and Journey. Grand Funk’s music endures not only on the airwaves – thanks to mega-hits like We’re an American Band, I’m Your Captain/Closer to Home, The Loco-Motion, and Some Kind of Wonderful—but also on big screens and TV campaigns. From Disney’s The Country Bears to General Motors commercials, and blockbuster films like Radio and Sahara, their songs remain a cultural touchstone.

With more than 25 million albums sold, 19 charting singles, 8 Top 40 hits, and two No. 1 smashes, Grand Funk has earned 7 gold and 10 platinum certifications – including 2022 platinum awards for both We’re an American Band and Some Kind of Wonderful.

Following the success of last year’s AMERICAN BAND TOUR 2025, the STILL SHININ’ ON TOUR 2026 keeps the train rolling. Whether you’re a lifelong fan or discovering Grand Funk for the first time, there’s no better time to experience one of rock’s most enduring bands.

or call (813) 754-1996

Thursday, March 11, 2027 · 7:30 p.m.

Charlie Wilson

Pit, $85
Floor, $65
GT Grandstands, $60

To say that Charlie Wilson is an “Icon,” does not truly describe the musical powerhouse whose vocal prowess began as founding member and lead singer of the legendary GAP Band (“You Dropped the Bomb on Me,” “Outstanding,” “Party Train,” and “Burn Rubber on Me.”)
As a solo artist Wilson has topped the R&B charts with 13 number one singles, 13 GRAMMY®
nominations, a New York Times and Washington Post best-selling memoir, “I Am Charlie Wilson,” a BET Lifetime Achievement Award, a Soul Train Icon Award, a Soul Train Certified Soul Award, a NAACP Music Makes a Difference Award. Wilson kicked off 2024 receiving a star on the Hollywood Walk Of Fame on his birthday, surrounded by a star-studded crowd of friends including Snoop Dogg, Babyface, Tyler The Creator, Kanye West, Ty Dolla Sign, Don Toliver, Jimmy Jam, Terry Lewis, Johnny Gill, Tank, and Chante Moore. In 2022 Charlie was on the critically acclaimed The Culture Tour with New Edition and Jodeci. He has previously sold out two of his own headlining arena tours- Forever Charlie (2015), In It To Win It (2017) – and toured with Bruno Mars on his 24K Magic tour. He was twice named Billboard’s Top Adult Male R&B Artist (2009, 2020) and named Billboard’s Top Adult R&B Male Artist with the most #1s in three decades. Known to most as “Uncle Charlie,” the lovable nickname given by Snoop Dogg, continues to be
one of the most sought-after voices in music today. He has collaborated with many chart-topping artists including Bruno Mars, Pharrell Williams, Kanye West, Justin Timberlake, Tyler The Creator and Nas, to name a few. In the years between the GAP Band and his solo success, Wilson survived drug and alcohol addiction, homelessness, and prostate cancer. Sober now for 28 years, the singer says, “I wouldn’t have believed I’d be where I am right now. That’s why I shout every night because I thank God for allowing me to be here.”

or call (813) 754-1996

Friday, March 12, 2027 · 3:30 p.m.

Lorrie Morgan

Pit, $40
Floor, $35
GT Grandstands, $35

She is undeniably one of the most eloquently emotive vocalists of modern times.
Lorrie Morgan, the first woman in her genre to begin her career with three consecutive Platinum albums, is back in the studio with award-winning producer Richard Landis, working on a new album. It is sure to be yet another collection showcasing the rainbow of emotions, from darkest heartache to bright, shiny humor, that is the hallmark of Morgan’s range.
“Where I am in my life right now, I’m not afraid to express what I feel,” she says. “I’m not afraid to express my views on anything, especially on being a woman and my experiences in this business and in life.”
Morgan is known for her lustrous vocal phrasing and the down-to-earth believability of her torchy performances. On records such as “A Picture of Me Without You” and “I Guess You Had to Be There,” the ache is palpable. She is feisty and sassy on “Watch Me,” “What Part of No” “Five Minutes” and “I Didn’t Know My Own Strength.” She has kicked up her stiletto heels in fun on her hits “Except for Monday” and “Go Away.” On her epic “Something in Red” she is an honest, struggling everywoman.
She has been a daughter, a bride, a mother, a divorcee, a widow, a single mother, a breadwinner and, ultimately, a survivor. In many ways, Lorrie is a living, breathing country song, and she knows what she sings.
“I didn’t want to just do another album. I want it to be something that really moves me. When I listened to songs for it, I’d think, ‘No, not that one. I’m not going to be able to sing that one, because I’m not going to be able to feel it.’ It is very important to me for this album to reflect the things that I am feeling today.”
Recently in Nashville, Morgan commanded a stage shared by the iconic Judy Collins, in a concert performance honoring the 30th anniversary of LA-based record label, Cleopatra Records. She continues to match any of her earlier efforts, with an emotional range and a stage presence that is as vibrant as ever.
She is a peerless song interpreter, drawing from a deep personal well that spans enormous tenderness to cheeky hutzpah. Whether covering a classic or sharing one of her own songs, Morgan is truly a song stylist in the grandest tradition.
“I have always been a songwriter and I do love to write,” she comments. “But I’m only comfortable co-writing with a few people, and I don’t like appointment writing at all. Plus, I’m not one of those people who says, ‘If I didn’t write it, I’m not going to record it.’ If somebody else’s song is better, I’m going to record it and not my own.”
Lorrie Morgan has been around great songs all her life. She is a Nashville native who is the daughter of Country Music Hall of Fame member George Morgan. She made her debut on the Grand Ole Opry stage at age 13, singing “Paper Roses.” Her father died suddenly of a heart attack at age 51. She was l6 at the time and just beginning her musical career. Lorrie Morgan began making her own records shortly thereafter and was inducted into the Grand Ole Opry at just 24 years old.
Morgan married fellow country singer Keith Whitley in 1986. She was signed to RCA Records in 1987, and her onslaught of hits began the following year. Whitley’s tragic death of an alcohol overdose in 1989 left her a widowed working mother. Their duet “Til a Tear Becomes a Rose” earned her a 1990 CMA award.
Her first three albums, Leave the Light On (1989), Something in Red (1991) and Watch Me (1992), all earned Platinum Record awards. Her Greatest Hits collection (1999) is also Platinum. War Paint (1994), Greater Need (1996) and Shakin’ Things Up (1997) are all Gold Record winners.
She sang “The Sad Cafe” on Common Threads: Songs of the Eagles, which was named the CMA Album of the Year in 1994. Country fans voted Lorrie Morgan their TNN/Music City News Female Vocalist of the Year in 1994, 1996, 1997 and 1998.
Lorrie Morgan maintained her recording pace in the new millennium, releasing collections in 2002, 2004, 2009 and 2010. In 2012 and 2013, Morgan starred and sparkled in the lavish Enchanted Christmas productions at the opulent Opryland Resort in Nashville. She took that show on the road in 2014.
Morgan has recorded in collaboration with her father, as well as Whitley, Frank Sinatra, Johnny Mathis, Tammy Wynette, The Beach Boys, Dolly Parton, Andy Williams, the New World Philharmonic, and Pam Tillis. She has toured with George Jones and shared a stage with Jerry Lee Lewis, newly inducted into the Country Music Hall Fame along with Whitley.
“My children and I are thrilled to see Keith’s name added to the list of stars who’ve earned their place in the Country Music Hall of Fame,” she says. “It is a well-deserved honor, though Keith himself would’ve been painfully humbled. I am happy for his family and the many, many fans who continue to point to Keith as one of the all-time greats.”
In 2013, Morgan first teamed with fellow Opry star Pam Tillis, daughter of Country Music Hall of Famer Mel Tillis. for the duet CD Dos Divas. The two hit makers then embarked on a joint tour that sold out every appearance in its initial two-year run. The stars continue to perform their collaborative Grits & Glamour shows, as schedules allow. The women connected as working mothers, as businesswomen, and as second-generation performers. They share an understanding, and a finely honed, if occasionally bawdy, sense of humor.
On the outside, Lorrie is very lighthearted. Still, on the inside, she carries a lot of pain. Singing is her therapy, she has said.
“My dad used to say, ‘You should never take yourself too seriously,’ and I got my sense of humor from my dad. I love to have fun. I’ve reached the age where I feel that I deserve good company around me, people who can make me laugh, who love music and who love to have a good time.”

or call (813) 754-1996

Friday, March 12, 2027 · 7:30 p.m.

Becky G

Pit, $125
Floor, $79 -$99
GT Grandstands, $54

Becky G is a multi-platinum global superstar who has spent the last decade shaping the sound and culture of contemporary pop across languages and borders. A singer, songwriter, entrepreneur, and activist, the seven-time Latin GRAMMY® nominee and Academy Award nominee has amassed more than 28 billion career streams worldwide, building a catalog of hits while becoming one of the most recognizable voices of her generation. Her influence extends far beyond music, earning American Music Awards, Latin American Music Awards, E! People’s Choice Awards, and a Billboard Music Award, while her fearless advocacy for representation and community has made her a leading cultural voice on and off stage. In 2026, Becky was honored with Billboard’s Latin Women in Music Global Impact Award, recognizing her continued influence across music and culture. She was also named to the TIME100 Next list in 2025, honoring the rising leaders shaping the future across industries, and in 2024 delivered a powerful performance of her Oscar-nominated song “The Fire Inside” live at the Academy Awards. Never one to stay in a single lane, Becky continues to evolve creatively while staying deeply connected to her roots. Her fifth studio album,
“Baraja Bendita,” debuted at No. 2 on Billboard’s Top Latin Pop Albums chart, while also debuting at on Top Latin Rhythm Albums and Top Latin Albums. The project builds on Becky’s ability to move between pop and música Mexicana while embracing her Mexican-American identity and creative independence. She also joined Carlos Santana for “Mi Gran Amor,” a collaboration reflecting the experiences and resilience of Latino communities in the United States, which earned a Latin GRAMMY nomination for Song of the Year. In 2026, Becky joined Karol G as a special guest on her Viajando Por El Mundo Tropitour, performing across 10 dates following their Coachella appearances. Beyond music, Becky continues to shape culture across fashion, film, and entertainment. A growing force in fashion, she has collaborated with and worn leading global houses including Amiri, Carolina Herrera, Tommy Hilfiger, Stella McCartney, Off-White, and Ferrari, while attending Vogue World in Paris and walking Paris Fashion Week for designer Willy Chavarria, celebrating Chicano culture on a global stage. In 2026, she served as an official CFDA NYFW ambassador, further cementing her place within the fashion community. On June 12 at the Tribeca Film Festival, she premiered REBBECA, a deeply personal bio-documentary offering an unfiltered look at her journey and evolution as an artist. She has also made her mark on screen with appearances in Power Rangers, FOX’s Emmy-winning Empire, and as the voice of Khaji-Da in DC’s Blue Beetle. Whether through chart-topping music, fashion, film, or activism, Becky G continues to move culture forward while proudly carrying her community with her. 

 

or call (813) 754-1996

Saturday, March 13, 2027 · 7:30 p.m.

Jamey Johnson

Pit, $75
Floor, $60
GT Grandstands, $50

Award-winning singer/songwriter Jamey Johnson is one of country music’s most respected traditional voices and songwriters. A 10-time GRAMMY nominee and Grand Ole Opry member, Johnson has earned widespread acclaim for his rich baritone, timeless storytelling and authentic country sound.

He is one of only two artists in country music history, alongside Kris Kristofferson, to win both the Academy of Country Music and Country Music Association Song of the Year awards in the same year for “Give It Away” and “In Color.” His songs have been recorded by artists including George Strait, Willie Nelson and Trace Adkins.

Johnson’s celebrated albums include the platinum-certified That Lonesome Song and The Guitar Song, which debuted at No. 1 on the Billboard Top Country Albums chart. His latest album, Midnight Gasoline, marks his first solo studio release in 14 years and continues his tradition of honest songwriting and classic country storytelling.

Known for his powerful vocals and deeply personal songs, Johnson remains a standout voice in country music, connecting generations of fans through music that is authentic, timeless and unforgettable.

or call (813) 754-1996

Sunday, March 14, 2027 · 7:30 p.m.

Train

Pit, $90
Floor, $80
GT Grandstands, $75

Since their formation in 1994, multi-GRAMMY Award-winning, diamond-selling band Train has sold more than 10 million albums and 30 million tracks worldwide, amassing over six billion global streams. Train’s climb to the top began in San Francisco, as the original 5-member band tenaciously built a loyal hometown following, leading up to their debut self-titled album released by Columbia in 1998. The tumbling wordplay of “Meet Virginia” gave them their first unlikely radio hit, and 2001’s Drops of Jupiter broke them to multi-platinum status. Known for their critically acclaimed catalogue of chart-topping hits including #1 best-selling smash “Hey, Soul Sister, double-GRAMMY-winning hit “Drops of Jupiter,” 5x platinum-certified anthem “Drive By,” Train has had 14 songs on Billboard’s Hot 100 Chart and 13 albums on the Billboard 200 Albums Chart, six of which reached the Top 10, including Drops of Jupiter (2001), My Private Nation (2003), California 37 (2012), Bulletproof Picasso (2014),For Me, It’s You (2016), and a girl a bottle a boat (2017). For over three decades, Train has been captivating audiences across the globe with their signature blend of rock and pop, infectious melodies, and heartfelt lyrics. With an extraordinary career that includes three GRAMMY Awards, two Billboard Music Awards, multiple diamond/platinum/gold citations, and dozens of other honors, Train continues to reach new milestones, boasting two tracks, “Hey, Soul Sister” and “Drops of Jupiter,” that have reached RIAA Diamond status and surpassed one billion streams on Spotify.

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PLEASE CALL 813.719.6680.

For assistance with ADA seating or tour group sales, please call 813.719.6680 or click here. 

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Please note: Pricing varies by artist and by section — Pit, Floor, and GT Grandstands each priced separately. Sections 7-17 are elevated seating.